The next FFACE meeting is going to take place 23rd September in Warsaw during ARTMUSFAIR 2010.

Parallel to the International Collecting Societies Meeting, FFACE held its Assembly in the Arteria Campos Eliseos Theatre in Bilbao, last 9th of June.
At a time when ECSA is been consolidating as the political head of the European Creators, FFACE discussed its role and goals.
FFACE also programmed its participation in cultural events around several European Festivals such as Úbeda, XXL Krems, Soundtrack Cologne…

The Danube University Krems offers this programme for composers, who have already started their carreer, but want to enhance their professional prospects. The master program focusses on the areas of composing, audio production technology and production management for film and media music. The professional training course lasts five terms, is part-time, has English as the course language and was developed for composers and musicians for film and interactive media, who will work in the areas of composing and production and, in doing so, will deepen their knowledge as well as expand their professional networks.

Among its lecturers are renowned international experts and successful composers for film and media, for example Peter Wolf, Garry Schyman, John Groves, Miguel Kertsman and Andreas Weidinger. One course module is performed by our program partner, the University of California, Los Angeles (UCLA). The university course “Music for Film & Media” will start in October 2010.

For more information:
http://www.donau-uni.ac.at/en/studium/musicfilmmedia/index.php

L’Assassinate du duc by Guise became the jewel of the Seminci 54th Edition in Valladolid. Javier Angulo, director of this Edition 2009, described the concert as the surprise of the festival and expressed his hope to continue working on film music projects with Musimagen FFACE.
In 2008, this event was organized under the EFMD in Paris. Now, Luis Ivars continues its spread as a FFACE/Musimagen cultural event. The Saint-Saëns score is considered the first written specifically for a movie.
After the historical introduction of Ivars, Claudio Ianni conducted the Orchestra of Castilla, taking the audience of Miguel Delibes auditorium to the Paris of the early twentieth century.

Luis ivars and Claudio Ianni

Luis Ivars and Javier Angulo